Music is something that has forever been woven into the culture of Jackson. While Carl Perkins and the Rockabilly sound are what most people think of first, that staccato rhythm and piano twang is only a part of what Jackson’s music scene was and is. The musical talent that Jackson has produced — from Full Devil Jacket to Erin Rae to LOLO — is as diverse as the community. The problem, though, is that Jackson never had an infrastructure to develop that talent. At least not until now.
Read MoreHowever one might choose to gauge her, Lauren Pritchard, who goes by the stage name LOLO, does not situate comfortably into the traditional West Tennessee templates assigned to a middle class white girl. The church choir, theatre class, prom-going standards simply don’t work.
Read MoreThe first time I heard No Time Flatt perform was at the inaugural Tennessee Music Awards event. All five members of the ensemble (Kevin Wright, Patrick Cupples, Becky Weaver, Kevin Keene, and Steve Moore) lined up on stage, each with a microphone in hand, and proceeded to deliver the most beautiful harmonies. They performed to an enthusiastic crowd, who enjoyed the familiar songs and bluegrass twang. This past August, No Time Flatt released a new album of both original songs and covers: Calling After Me.
Read MoreWow—what an incredible second year of our 731Day Porchfest! Check out this highlight reel by Jameson Winter, featuring LOLO's revised version of "Wasted in Jackson," written just for this event.
Read MoreAt the end of every school year, I have my students create a portfolio of different types of original poetry. I’d like to think I do it in order to foster their creativity, but it’s really because I’m too lazy to grade eighty-four final exams. Either way, it’s a win/win for all of us: they get to write sonnets and pretend that they’re actually writing their first rap hit, and I get to sit back and not grade bubbled-in answer documents. One poem they always struggle with is an elegy.
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