Music is something that has forever been woven into the culture of Jackson. While Carl Perkins and the Rockabilly sound are what most people think of first, that staccato rhythm and piano twang is only a part of what Jackson’s music scene was and is. The musical talent that Jackson has produced — from Full Devil Jacket to Erin Rae to LOLO — is as diverse as the community. The problem, though, is that Jackson never had an infrastructure to develop that talent. At least not until now.
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On Sunday morning at Historic First Baptist Church, Stedman Roebuck stands ready at the keyboard, looking out over the congregation. As the preacher’s voice rises, and a tune rises with it. He moves with the music, with the crowd, with the lifting of voices. Hands are raised and tears fall. Shoulders relax into a place that feels like home.
Read More“We don’t like it to look too clinical,” remarked Chrissy Watson, board-certified Music Therapist at the STAR Center as she pulled out her guitar. The room’s lavender walls and smorgasbord of colorful instruments, complete with Watson’s warm guitar strums, banished any thought of the adjective “clinical”. Yet, this little room holds sessions where tangible healing takes place.
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