At the end of every school year, I have my students create a portfolio of different types of original poetry. I’d like to think I do it in order to foster their creativity, but it’s really because I’m too lazy to grade eighty-four final exams. Either way, it’s a win/win for all of us: they get to write sonnets and pretend that they’re actually writing their first rap hit, and I get to sit back and not grade bubbled-in answer documents. One poem they always struggle with is an elegy.
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There is a little Italian café in Geneva, Switzerland, that sits just across the street from the headquarters of the United Nations High Commissioner for Refugees. I found myself there one rainy morning in February hunched over coffee with a colleague. We ran through the updates of the people around us who were doing their best to keep their flags flying in the midst of deep decreases in global budgets and broad increases in needs for life-saving work in areas such as human rights and global health.
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Rain falls steadily against the sidewalk, bouncing back up almost as soon as it brushes the ground, and all I have for a shield is my military-green rain jacket as I hurry into Alba. Throwing off my hood, I spota guy in a sharp polka-dotted button-up and a girl with cool eyeliner sitting in the corner of the coffee shop. Together, local artists Hunter Cross and Cameron Briley combine their talents as The Skeleton Krew, an original band with a 60s-inspired, blues-rock vibe.
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I have an affinity for hardworking people. That's why I like guys like Brandon Barnett. Brandon is one of Jackson's more interesting songwriters, and he also has a knack for churning out thoughtprovoking podcasts about the struggles of being a musician via "Left of Nashville." I sat down with Brandon last month to talk about things we liked and his music/podcast endeavors.
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